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Powell's Books Presents Lawrence Roberts in Conversation With Barry Johnson

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00:58:00

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Sep 24, 2020 04:24 PM

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Lawrence Roberts

Lawrence Roberts has been an investigative editor with ProPublica, the Washington Post, Bloomberg News, and the Huffington Post Investigative Fund. He was a leader on teams honored with three Pulitzer Prizes. Mayday 1971 is his first book.

Barry Johnson

Barry Johnson is the editor and founder of Oregon ArtsWatch. He has written about and edited arts and culture stories of various sorts since 1978, when he started writing about dance for the Seattle Sun. He edited the arts section of Willamette Week and wrote a general culture column in the early 1980s, and he started at The Oregonian as arts editor in 1983, moving between editing and writing (visual arts, movies, theater, dance) until leaving in 2009. Since then, he's been thinking about new ideas to help make arts and culture journalism ever more useful and engaged. Oregon Arts Watch is one of those ideas.

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Message preview	Hi there, You are invited to a Zoom webinar. When: Sep 24, 2020 05:00 PM Pacific Time (US and Canada) Topic: Powell's Books Presents Lawrence Roberts in Conversation With Barry Johnson Register in advance for this webinar: https://zoom.us/webinar/register/WN_rFHVIyDhS_ujwrd-UigatA After registering, you will receive a confirmation email containing information about joining the webinar. ---------- Webinar Speakers Lawrence Roberts Lawrence Roberts has been an investigative editor with ProPublica, the Washington Post, Bloomberg News, and the Huffington Post Investigative Fund. He was a leader on teams honored with three Pulitzer Prizes. Mayday 1971 is his first book. Barry Johnson Barry Johnson is the editor and founder of Oregon ArtsWatch. He has written about and edited arts and culture stories of various sorts since 1978, when he started writing about dance for the Seattle Sun. He edited the arts section of Willamette Week and wrote a general culture column in the early 1980s, and he started at The Oregonian as arts editor in 1983, moving between editing and writing (visual arts, movies, theater, dance) until leaving in 2009. Since then, he's been thinking about new ideas to help make arts and culture journalism ever more useful and engaged. Oregon Arts Watch is one of those ideas.

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