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INCCA Talk: Fernando Domínguez Rubio in conversation with Pip Laurenson - Shared screen with speaker view
Tate Research
29:30
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Tate Research
30:00
Josephine Bobeck and Rachel Rivenc will be moderating the Chat. Please do feel free to ask questions by typing into the Chat, and we’ll pick up on your questions later.
Tate Research
59:19
Please do feel free to type in any questions or comments you may have to the Chat!
Rachel Rivenc
01:00:42
You have in your book made visible the environmental impact of our HVAC systems and our environmental controls in storage and display. What might a different regime of care look like?
Claudia Röck
01:01:46
I would even question the duality between artificial and natural environment in regards to the museum. I'd say, that all the environments we live in are artificial (because they are changed by humans). A museum environment is just one of these environments.
Rachel Rivenc
01:03:08
The power dynamics you describe between the global south and global north expressed through loans and donations - do you have suggestions on how to equalize those, or do you know of programs that do?
Ruth del Fresno-Guillem She/Her/Hers
01:03:14
And why is that bad? having several interviews and having to deal with different ideas? Isn’t that what makes the artist ande the interaction human? You have to make choices for sure. but isn’t that care?
Sofia Bianco
01:10:45
can this comment be read?there is a Spanish saying, used to call someone “slow minded” , that says:when someone points you to the moon, you look at the finger instead.(sorry for the bad translation )I think that saying can be turned around and actually it is very much like what you describe in these ecologies: lets look at the shiny moon and not at the system that enables the vision.and as a citizen of the global south, I find it relevant to think the museum and its issues in a geopolitical waythank you.
Brian Castriota
01:14:09
How might we make that labour visible when so much of these behind-the-scenes discussions and decision making are seen as “sensitive” information, or not a curatorial or artistic priority?
Pip Laurenson (she/her)
01:14:10
Useful reference on this https://read.dukeupress.edu/public-culture/article-abstract/32/1/215/147871/The-Work-of-Art-in-the-Age-of-Digital-Fragility
Francisca Sousa
01:17:58
(Following Sofia's comment, Feranando's concept of care as extraction is major, the current trends in conservation (being it the accumulation of resources - human, documentation, TiBM equipment, etc.) bring me and my peers in Portuguese museums an overall feeling of anxiety and further delay in comparison with major institutions.)
Tate Research
01:24:03
Purchase Fernando Domínguez Rubio’s book here - use this discount code for 20% off: UCPMUS - https://press.uchicago.edu/ucp/books/book/chicago/S/bo51203276.html
Tate Research
01:25:30
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Claudia Röck
01:27:25
I liked that, reimagine storage as a pool. In the digital space, this is happening: distributed storage, distributed source code management.
Tate Research
01:27:48
Thank you for joining us for this INCCA Talk, the first in a series of conversations and panels exploring current issues in contemporary art conservation and related fields. Find out more and search for upcoming events at https://www.incca.org/events
Claudia Röck
01:27:57
Unfortunately I need to leave… Thank you very much for this interesting presentation / discussion
Sofia Bianco
01:28:00
thank you for the presentation.
Anthi Soulioti
01:28:02
yasss brilliant talk, thank you very much!!
Francisca Sousa
01:28:19
thank you, this was great!
Veerle Meul - Middelheimmuseum
01:28:23
Thank you, super interesting, looking forward to reading the book too! ALl the best Veerle
Yu-Hsuan Chang
01:28:26
Thank you
Brian Castriota
01:28:30
Thanks!!!