Carady DeSimone, Archives Technician under contract with National Parks

Hi folks, My name is Nathan and I'm the Senior Curator at EPIC The Irish Emigration Museum in Dublin. Pleased to meet you all :)

Annette Carter, Volunteer Services Manager, Canadian Museum of Immigration at Pier 21, from Halifax NS

Bram Beelaert, curator Red Star Line Museum, Antwerp

Good morning everyone, Sara Phalen from the West Chicago City Museum

My name is Luz Maceira, I am a feminist scholar, I have been doing research on museums and memory for the last years

hi! Alyssa from the Department of Natural Resources, SC

[that's US National Parks, currently working in Tallahassee, FL]

Hi, I'm Sébastien Gökalp, director of National Museum of History of Immigration, Paris, France

Mandy Paul from the Migration Museum, Adelaide, South Australia

Hi all, I'm Astrid from the German Emigration Centre. Looking very much forward!

Good Morning- Jennifer Sutherland from the Canadian Museum of Immigration at Pier 21 in Halifax Nova Scotia Canada and member of the Migration Museum Network

Good morning! Jessica Rubenacker from the Wing Luke Museum of the Asian Pacific American Experience (Seattle, WA)

Good morning- Rayén, from the Museo de la Memoria y los Derechos Humanos (Chile) Saludos :)

For more information about our upcoming activities visit https://www.sitesofconscience.org/en/migration-museums-network/international-migrants-day-activities/

Good evening, WenHsin from National Human Rights Museum of Taiwan.

https://vimeo.com/489353135/aa1740540d

If you need to know more about Musée national d el'histoire d el'immigration

www.histoire-immigration.fr@MNHIParis@palaisdelaportedoreehttps://www.histoire-immigration.fr/agenda/2020-12/international-migrants-day

If you have questions for the discussion, please feel free to put them here at any time. Thanks!

regarding one of the last slides of Agnes & Sebastien's section - the 3 axes were...? [historical documents was the first]

3 focuses : historical documents, contemporary art, narratives and objects from migrants and associations supporting them

Merci Agnes!

what about "communities" participation? how are the different projects/museums/exhibitions engaging communities? (how does "communities" are defined and prioritized? I assume there cannot be a project just for/with immigrants, and the involvement of all social actors and different communities is needed... how do you deal with this?

and how do you deal with clashes, tensions, etc among immigrant groups or communities?

Speaking about MEI the involvement of the community in the creating process of the museum is about sharing documents, stories. also gathering all the documents that are call auto narration (as private diary).

another issue to address. in the 3 experiencies presented.. how do you raise awareness? what strategies are used to deploy a work that leads to educational, social, cultural processes related to social awareness?

:)

Thank you all for a fascinating discussion - a very worthwhile experience!

Thank you all!

thanks

Learn more about the Migration Museums and stay in touch: https://www.sitesofconscience.org/en/migration-museums-network/

Thank you very much! Happy holidays

Thank you all!

Good night Australian friends!

Thank you so much, all!

Thank you! Merci!

thank you all so much!